After all the predictions, the first season’s snow has finally started. The weatherman says this afternoon’s effort won’t stick—the bigger show will be tonight when it turns to sleet and then rain. All in time for tomorrow morning’s commute. Winter in the tri-state area; you’ve gotta love it.
Courtesy of a free weekend of Epix, I finally caught the film “Flight,” starring Denzel Washington who, truth be told, was blown off the screen by a shrewdly underplaying Don Cheadle. While the accident and the events leading up to it made for great suspense and the amusement factor was enormous, given that the co-pilot was played by Brian Geraghty, late (and how) of “Boardwalk Empire,” this movie was a mess.
What really got to me was the threat throughout the film that Whip, the alcoholic pilot, would go to jail for manslaughter when we knew the cause of the crash was mechanical malfunction. Yes, he reported to work drunk, and yes, he snuck several mini-bottles of vodka into his orange juice in flight, but he was not guilty of manslaughter—this crime does not occur unless the behavior in question causes the victim’s death. What Whip was guilty of was operating a common carrier under the influence of both alcohol and a controlled substance, which under federal law would buy him up to 15 years in the pen. Hopefully that’s why we see him in jail at the end of the film, although the filmmakers evidently didn’t think it important enough to tell us why he was there.
In its legal inaccuracies “Flight” scores high on my attorney irritation scale. It’s only a notch below “The Verdict” with Paul Newman, which almost drove me out of the theater screaming when I first saw it. If you’ll recall, the testimony of Lindsey Crouse, as the nurse hounded from her profession, is stricken from the record because the medical records she claims were altered are ruled as “best evidence” of the patient’s physical state. While there is indeed a “best evidence” rule, it has nothing to do with the fact that the veracity of every document sought to be admitted is subject to challenge.
This, along with so many other film boo-boos, is explained in fascinating detail in Paul Bergman and Michael Asimow’s “Reel Justice: The Courtroom Goes to the Movies,” a book which belongs on every film buff’s shelf. Some of their rankings may surprise you, some may not (the classic “Anatomy of a Murder” is awarded a well-deserved four gavels, the authors’ highest grade; the Al Pacino film “…And Justice for All,” tanks with only one).
I confess I have a soft spot for films that get both the drama and the law right. My favorites? In addition to the aforementioned “Anatomy of a Murder,” I think “Breaker Morant” may be my Number 1 court room drama. The performances couldn’t be better, and Jack Thompson, as an estate attorney pressed into service as defense counsel for the three soldiers accused of war crimes, is every lawyer who’s ever found himself in over his head. And an old made-for-TV movie, “The Law,” starring a pre-“Taxi” Judd Hirsch, had a tremendous cast as well as some accurate criminal procedure, not to mention a creepy, Charles Manson-like celebrity murder. Great stuff.
Two weeks after the season finale of “Boardwalk Empire,” I’m still mulling over where we go from here. It’s unusual to see a series rebound the way this one did after the Gyp Rosetti madness, but it did so in style, leaving us wanting a great deal more for next year.
It’s a shame Warren Knox was dispatched by Eli Thompson in what had to be the most brutal bare handed fight in TV history. He was a wonderful villain—that bland baby face hid a truly sadistic side. I bet he tortured kittens in his spare time. I assume we’ll still have Narcisse around next season if only to be under the thumb of J. Edgar Hoover and perhaps be a revenge target for Chalky.
Speaking of Chalky, our last view of him was as a man totally bereft. His favorite child has been murdered, the rest of his family is gone, the Onyx Club is lost and he’s got a price on his head. Presumably he has Daughter, but is this enough?
What of the other characters? Nucky and Sally in Cuba might be fun, but where does he stand with Narcisse and his other (fr)enemies? I suspect we haven’t seen the last of Gillian, prison or not, and the thought of Eli and Van Alden both working for Al Capone should be a trip (have you ever seen such a look of mutual disgust exchanged as when Van Alden picked up the on-the-lam Eli at the train station?).
But what I find most intriguing is the prospect of Margaret and Rothstein working the stock market. Will she become his mistress? Don’t be too sure that ritzy apartment is truly rent-free, Margaret, no matter how many tips you pass. If they do become a twosome, I’d be curious as to Rothstein’s behavior, especially after his chiding Nucky about so openly chasing after Billie. In any event, it wouldn’t surprise me if “Boardwalk Empire” jumps ahead to events leading up to Rothstein’s murder in 1928 and the over-heating of the stock market prior to the Crash.
Speculation is fun, but it’s a long way until “Boardwalk Empire”‘s return. Let’s hope it’s a good one. And bring back Eddie Cantor, please!