Posted in Television

At Home With the MacBeths

Woman of the Hour
Woman of the Hour

CAUTION: SPOILERS ABOUND (YOU NEED TO ASK???) 

In this election year no dream appears beyond reality, yet Season 4 of Netflix’s “House of Cards” fulfilled the wildest one yet: Claire Underwood grabbed the brass ring as her husband’s running mate, an achievement denied to even as savvy an operator as Eva Peron.

But is this a good move by the House of Underwood? If he’s reelected, she’ll be a constitutional heartbeat away, in prime position to grease the skids for his demise, whether politically or–gulp–literally. Yes, she’s that ambitious, and her futile attempt to grab a Congressional seat in no way dampened her desire. Frank senses it too, otherwise why the recurring nightmare of that horrendous death match?

While we’re on the subject of bodily harm to Chief Executives, if you don’t think that assassination attempt was totally orchestrated, boy, do I have a bridge in Brooklyn for you. So many details beg so many questions: Why was Lucas Goodwin there, let alone armed? The latter fact was so out of character—words were always his weapon of choice. The omission of Janine’s name from his suicide note was indeed strange; was this a clue that the letter may have been a forgery? And perhaps the ultimate tip-off: Meechum, not Lucas, fired the first shot. “House of Cards” is so twisted I can easily see either Frank or Claire setting this up: Claire, for obvious reasons; Frank, to gain sympathy so he could move ahead in the polls, though I imagine he had hoped the cost would have been a flesh wound, not a shredded liver. Of course we can’t eliminate from the list of suspects any of the enemies the Underwoods made on their way up, but it’s more delicious to think both Frank and Claire had motive and opportunity.

Season 4 left us with a great deal to mull over, but before we do I have a couple of issues that need airing. First, why were so many important scenes shot in half light? It felt like “House of Cards” was living in a perpetual gray dawn. But for me the biggest error was the omission of a recap of what led to the resignation of Frank’s predecessor, President Walker. The events Tom Hammerschmidt investigates in Season 4 happened back in Season 2. For the life of me I couldn’t remember who Lanagin was, or why those travel records were significant, let alone Meechum’s involvement in their alteration, or the details of Raymond Tusk’s role in Frank’s ascension to the Presidency. I love “House of Cards,” but I do work for a living—I don’t have time to revisit an entire season’s worth of episodes in an effort to locate key events. A “Previously on ‘House of Cards……'” would have been welcome indeed.

So in no particular order let us consider:

Claire and Tom Yates. This has been on the horizon for eons. I don’t see good things ahead, no matter how healing he may be for her. Discord is already apparent: “That’s the first time you’ve lied to me since you stopped lying to me.” Whoever would have predicted that Mickey Doyle (and his giggle) could turn into such eye candy?

A great star turn by Ellen Burstyn as Claire’s mother. I wish we had had more of her and her relationship with Claire. Let’s hope for some flashbacks next season.

Cathy Durant, imminent under-the-bus victim. I suspect once she’s out of the administration she’ll have a great deal to say about Claire’s honing her way into the negotiations with Petrov.

Jackie Sharp and Remy Danton. They’re finally free, and I suspect (hope) we haven’t seen the last of them. Ditto Heather Dunbar, ex-President Walker (love Michel Gill’s speaking voice) and Kathleen Chalfant as the Katherine Graham stand-in.

Doug Stamper. I can’t remember when I hated a character so much. What is it he’s got going with the Widow Moretti? Is this out of genuine guilt or will he marry her for insurance?

The Conways, aka the Underwoods in embryo form. Will is as ruthless as Frank and plays the game almost as well, but it’s obvious Hannah’s blood runs at a considerably warmer temperature than Claire’s. I’ve got one request for the showrunners, though—stifle their annoying kid.

So the nastiness has been ratcheted up to an extreme, all the more to relish the Fall of the House of Underwood. We seem to be well on our way. The boat is leaking in numerous places: Frank has started a war against ICO to scare the electorate into giving him a full term; Tom Hammerschmidt’s story just broke; and perhaps most damaging of all, Aiden’s technology is now in the hands of the feds who will shortly realize the full extent of Frank’s domestic surveillance.

It’ll be agony to wait another year to see how this unravels.

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